From the Library of

"The Underdogs" by Mariano Azuela. Translated by E. Munguia, Jr.

The sticker:

"Chris Wilson"

woof

"Jacob's Room & The Waves: Two Complete Novels" by Virginia Woolf.

The note:

"To Marilyn
with what must amount
to the vastest and most
insolent affection known
to Western Man (and
certain small Japanese
insects). happy birthday
to you, happy birthday to
you; happy birthday
dear Marilynnnn...
Happy Birthday To
yoouuu!!
Yay!!!
(signed)
Bill"

Tower of Hegel

"Hegel: Reason in History" Translated by Robert S. Hartman.

The Note:

"seems like all these philosophers are all about stuffing the world into this or that system. why not just try to learn the natural system of Nature. (cause? effect? though w/o reason?) (close to logic?)"

Which was written in response to the following passage from the Editor's introduction:

The Idea developing in space is Nature, the Idea subsequently--or rather consequently, for it is all a logical process--developing in time is Spirit. The latter, the development of the Idea in time, or of Spirit, is History. History thus becomes one of the great movements of the Idea; it becomes embedded in a metaphysical flow of universal scope. It is universal History.

have a nice summer! xoxoxo

"Joseph Andrews" by Henry Fielding.

First Picture Post!

"To Cheryl
another nutty
but
nice
person
love
Paris
C/81"

snowed in

"The Iceman Cometh" by Eugene O'Neil.

The note:

"1942     O'Neil wanted to stage play after war.
Pity + Tagedy will be deemed uninspired by Atlantic Charter or Unpatriotic.

Not a good piece of Propoganda. Superinflation results in displaced withering (soldiers after war)"

Original source material here.

lox

"Eugenie Grandet" by Honore de Balzac.

Sticker time:

Gina Marie Cream Cheese looks pretty good.

traces

     When you walk into a used book store, head to S, and look for David Sedaris. That's my first move every time. Sometimes I find nothing. And I move on. But trust me on this one: mosey over to the Sedaris books and flip through every page. His books are an anchor: when they don't want the memories anymore, when they need to move forward and leave it behind, people slip their baggage into his books and they disappear. I don't understand the thought process: letting something go but still knowing it's within arm's reach if you went hunting for it, all coupled with the possibility that someone can take everything away--there's no backup and it's gone. That's probably the point. I write letters to people no longer in my life. These letters address everything from missed opportunities to takebacks, compromises and future meetings. They're all feelings and emotions--it's not necessarily what I want or need. They're just the thoughts that need to come out. These are not letters I mail or stuff in a shoebox in my closet. After I finish a letter, I wait a week, read it again, and destroy it. It's a way to feel strong when you're powerless.
     Which must explain why I'm so fascinated by all the marginalia and notes inside books. Some books are full of careless highlighting or analysis straight out of Cliffs Notes, but on occasion there are the deliberate messages left to strangers. A note that explains everything I destroy in my own letters. I'm not sure if this note is addressed to me: the future steward of this book. But I like to think it is.

"Dress Your Family in Corduroy and Denim," by David Sedaris.

     The note, modularlly speaking, is fascinating. There's a mix of black and blue ink and lots of pencil (which my camera does not pick up very well). The note starts off as a poem with indentation and morphs into a statement of purpose for future relationships, the handwriting curling up the sides of the paper. The portion written in black is annotated by pencil markings in classic call-and-response form. There's also a shopping list upside down in relation to the rest of the text. This note must have been written over a short period of time, with the author returning again and again to make updates--adjusting its utility. Maybe hashed out in an afternoon, during lunch at one of the overpriced cafes on Market Street, or maybe at my favorite breakfast place on Lombard: they let you sit and write and are apologetic when they break your concentration to ask if you want a refill on your coffee. Great Belgian waffles. Quiet. Simple pleasures.

The note in pencil (black ink is bold, blue will be noted):

"you'd know I can't sleep
     without you breathing on my skin.

Looking for sailing ships in the Clouds
     Red wine, on raining
     mint tea, and honey
     warm arms around me
Kissing my body with your fingers.
     phone calls at two in the
   morning. Swimming for hours
dancing
   on the bar
                but only on sundays

James Brown and
  momson the
          stares of strangers,
makes you want to
   know them
to touch them.

[Flip]

missing you, I swear and
coffee, the boy in the
Coffee          if you knew me
          Shop

but
  you
  don't know me and there fine
          you'd know I hate the phone
you'd know my love for christmas and t
                                      you cannot     rue friends
                                                            love me
you'd know know that when I [heart], I love whole hearted.
                                                                                  unfortunately
                               (with my all)
                        [blue] because you [/blue] deserve
                                     nothing less, than my
                                           everything.

[Laundry list:] 
Shampoo
Toothpaste
Nail polish Remover

City College Ap."

There's some other redacted text above the phone line, but is illegible [see squiggly marks in photo]. There's also a receipt from a trip to Anthropologie where she bought "JRNL LEMON DROPS BLUEBIR 9.95 T" She paid cash:

If she shops at Anthropologie she doesn't stop dreaming. Get out while you still can. =)

The Update

"The Crack-Up" By F. Scott Fitzgerald.

From the title page:

"Fitzgerald is was very intelligent and sensitive"